In 2004, as I watched images captured by NASA robots on Mission Mars Explorer, I felt the limits of landscape art being pushed forward. Along with this visual expansion, the whole of the cosmos and its extraordinary phenomena suddenly entered my field of everyday representation. I started to design perception devices in the hope of rendering the familiar world visible through the prism of a similar extraterrestrial perspective. My kinetic video machines are terrestrial automatons that produce extraordinary images of people and common spaces.
Documents:
carton-dufaux-gaudet-papillon_1
