Romany Eveleigh

Approaching creative expression as a problem of language struggling to give form to perception, Romany Eveleigh’s paintings and works on paper something of that moment of being in the world when understanding registers in advance of intellect, before words are engaged to fix the boundaries of thought. Nascent in the rich, layered abstract paintings that the artist made in the 1950s, this attitude manifested most directly in the late 60s when Eveleigh made a work that offered “a new possibility, an opening and a beginning” to what has since become a near singular preoccupation with beginnings in themselves.

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